2017 Diplom, Akademie der Bildenden Künste München
2009 – 2017 Studium an der ADBK München bei Prof. Nikolaus Gerhard, Prof. Katrin Brack und Prof. Hermann Pitz
20012 – 2013 Auslandssemester an der Facultad de Bellas Artes Madrid
AWARD / SCHOLARSHIPS
2022 „Bayern innovativ – Junge Kunst und neue Wege“, Projektstipendium des bayerischen Staatsministeriums für Wirtschaft 2019 – 2022 Bayerisches Atelierförderprogramm 2017 Kunstpreis des Kunstverein Rosenheim 2012 – 2013 Erasmus-Stipendium Spanien Madrid Facultad de Bellas Artes 2011 junge Kunst in Bayern Kunstkalender der LfA Förderbank Bayern Stipendium dem Hans – Rudolf- Stiftung 2010 Förderpreis für angewandte Kunst Bayern (Nominierung)
2021 Sammelstücke Bode Galerie Nürnberg Best of Show 2021 Bode Galerie zu Gast bei Kimreeaa Galerie, Seoul Domagk Ateliertage 2021 Städtisches Atelierhaus am Domagkpark
2020 REAL – UNREAL Galerie Filser&Gräf München
2019 Münchner Meisterklasse Kunstforum der Münchner Bank Domagk Ateliertage 2019 Städtisches Atelierhaus am Domagkpark GEGENÜBER Galerie Maurer Zilioli Contemporary Arts
2018 IMPACT Kunst- und Gewerbeverein Regensburg Jahresausstellung Kunst – und Kultur zu Hohenaschau offene Ateliers städtisches Atelierhaus Baumstraße
2017 24. Aichacher Kunstpreis Kunst aktuell Jahresausstellung des Kunstverein Rosenheim offene Ateliers städtisches Atelierhaus Baumstraße Diplomausstellung ADBK München
Description
Stylized, human representations, mostly made of wood and glazed with acrylic paint. The sizes of the sculptures vary from larger than life to knee height. Their movements are minimal and at the same time concentrated. The fact that they are standing on the floor gives the viewer the opportunity to relate to them directly.
Without any grand gestures, they are intended to create an impression of stillness and clarity in the room and throw the viewer back on themselves to a certain extent. The strong physical presence due to the material on the one hand, coupled with the pale painting of the sculptures and a facial expression that does not reveal a clear state of mind, is intended to radiate a feeling of rapture.
My aim is to draw the viewer into the scene I have set, similar to a role-playing game, and to allow them to enter into a silent dialog with the figure against the background of the spatial arrangement. How does the respective size of a figure and its relationship to the space influence the communication with the viewer? With each new work, it is this question that interests me and which I constantly re-examine.
