Galerie Filser & Gräf in collaboration with Mara Projects are pleased to present Forensic Logic, an exhibition bringing together works by Blerta Hashani, Nona Inescu, and Tabata von der Locht. The three positions treat what is extracted, withheld, or destroyed as a primary material. They locate in absence not merely a testimonial record of what was once there, but focus on the conditions for transformation. Hashani is surgical in her decisions of what to withhold. She treats the bare jute surface as receptive ground for her small paintings, a constraint that allows the embedded bodies to be isolated and earn their charge. Inescu photographs silver skeletal structures worn against wildfire-scorched landscapes, then presents them emptied in the gallery — the body simultaneously present and absent, offering a generative perspective against ecological collapse. In an act of deposition, Von der Locht extracts lacquer, soot and accumulations of anonymous residue from walls on the streets of Munich and transfers them onto sewn textile. The works refuse the myth of neutral surfaces, attending instead to the forensic logic of what has been left bare.