The informal-abstract acrylic painting of Andreas Durrer (*1960) is characterized by a positive search for pictorial solutions.
Qualitative investigations of individual colors and their spectra, especially white, are central aspects of his artistic work.
In recent years, the Basel artist’s pictorial grammar has become clearer in the direction of flexible rectangles, grid structures and ellipses.
Complexity of content is combined with the impression of lightness, liveliness and mobility.
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